Wednesday, April 30, 2008
Tuesday, April 29, 2008
Monday, April 28, 2008
Sunday, April 27, 2008
Dan Deacon - Interview/Ohio live on NBC
Dan Deacon on NBC Coastal Sunrise morning news show
We're talking paper forks now!
We're talking bacon cuts now!
We're talking turkey, talking turkey walking
Every walk now!
We're talking 16 ska bands!
We're talking 19 ska bands!!!
We're talking rudie suits, and rudie flutes
And hooty flutes do!
Friday, April 25, 2008
Thursday, April 24, 2008
Wednesday, April 23, 2008
Tuesday, April 22, 2008
More adventures with heights.
As millions of gallons of water plunge over the lip of Zambia's Victoria Falls, bathers can dive into the Devil's Pool and swim right up to the edge. A rock ledge even allows the bravest to peer into the abyss 360 feet below.
http://www.dailymail.co.uk/pages/live/articles/news/worldnews.html?in_article_id=561261&in_page_id=1811
http://www.dailymail.co.uk/pages/live/articles/news/worldnews.html?in_article_id=561261&in_page_id=1811
Thursday, April 17, 2008
Wednesday, April 16, 2008
Tuesday, April 15, 2008
James Oddo Freak Out
The Republican Council Member of New York completely loses it when interviewed by a norwegian comedian.
Monday, April 14, 2008
Friday, April 11, 2008
Artie Lange Quits Howard Stern (Audio)
"Former MADtv cast member and Howard Stern sidekick Artie Lange quit the Howard Stern show this morning after a heated discussion. Take a listen as everyone gets worked up (even Robin!) and Artie Lange resigns in a huff over an incident with his assistant."
Wednesday, April 9, 2008
Another True, Humiliating Story From What Passes As My Career
by Michael Ian Black
Several months after my son was born in 2001 or 2002, I got a very exciting telephone call. Would I be interested in being in the new Pixar movie? Since I was not yet fully immersed in the world of children's entertainment, I was not really aware of Pixar products. All I knew was that every time a new Pixar movie came out, it was a big deal and made hundreds of millions of dollars, which to an actor translates to large royalty checks. I did not know how much money one could stand to make in residuals from something like that but a friend of a friend was in some successful animated movie or another, and I can remember that he routinely received checks for tens of thousands of dollars. So that sounded pretty good. Also, animated movies take a long time to put together. I figured that by the time this was done, my son would just be old enough so that I could take him to the movies, point to whatever animated creature I was portraying and say "That's Daddy!" in a voice just loud enough so that several other surrounding fathers could hear. As a new father, I was constantly trying to figure out ways to make my son love me since just being his father was obviously not enough. Even at six months, he was already contemptuous of me.
So I quickly accept the job and reported to work at a small recording studio in midtown Manhattan. When I got there, I was greeted by some lovely people from the Pixar corporation who walked me through the storyboards of this particular movie, entitled "Finding Nemo." My character was a sea turtle called Crush, and the director Andrew told me they were looking for a "Keanu Reeves from'Point Break' type voice," and that they immediately thought of me for the part. My first thought at the time was, "Why?" Meaning: if you are looking for a Keanu Reeves type voice, am I really the guy that comes to mind? I was confused and seriously considered the possibility that they had mistaken me for somebody else. Perhaps another State member? Maybe one of the Kids in the Hall? Because when I think of myself, I certainly don't think Keanu Reeves in "Point Break." I don't even think Keanu Reeves in "Feeling Minnesota." Honestly, I never put me and Keanu Reeves in the same mental image at all except when telling this story. So I was confused but game. After all, I was doing this for my son. And for money.
They put me in a little booth and we went line by line through my part of the script. The director was in Los Angeles, and I could see him on a little video screen they had set up. He had me do each line several different ways, and often acted the lines out himself so that I could get a clearer sense of what he wanted. For example, there was a part where Crush goes, "You were like, 'Whoa,' then I was like, 'Whoa,' and then it was like, 'Whoa.'" He had a very specific way he wanted each "Whoa," and I was having kind of a hard time doing it, so he demonstrated exactly what he wanted. When he did it, I remember thinking, "That's pretty good. You should do this part," but I didn't say that because I didn't want him to have the same thought.
He was a very nice man, and I would say it took about two hours for me to record Crush. Afterwards my throat hurt and I was sweating. As I left, they handed me a "Finding Nemo" giftbag, which included a stuffed Nemo and a limited edition lithograph of a character study of Nemo. Very nice of them, and I thought to myself, "Hey, if this movie is a hit, this will be a great collector's item. I can get it framed and give it to my son and he will have a treasured memento from the movie in which his heroic father starred."
As I walked back to my car, I remember that I felt good about the session, good about the fact that I was going to be in a Pixar movie, fantasizing that maybe this would open a whole new avenue in my career, that maybe I could get more voice work, maybe end up like Hank Azaria on "The Simpsons." Then I got to my car and saw there was a parking ticket on my windshield, which maybe I should have taken as an omen. But I didn't. Because I am stupid.
A couple months later, I heard from the Pixar people again. Bad news. Unfortunately, the character of Crush is no longer going to be in the movie. Crush isn't working and they are going to cut Crush. No more Crush. I was, to use the obvious turn of phrase, "crushed." But what can you do? Characters get cut from movies all the time. It's not anybody's fault. It just is what it is. I didn't know what happened. All I knew was that I was no longer going to be in a Pixar movie, no longer going to receive tens of thousands of dollars in the mail, and worst of all, no longer going to be anything more to my son than a continuing source of irritation and resentment.
Now, perhaps you've seen "Finding Nemo." If you have, and BILLIONS of people have, considering it is the number one grossing animated movie of all time, you probably remember a rather lengthy sequence featuring a Keanu Reeves-sounding surfer sea turtle called Crush. Apparently, the problem wasn't Crush. Apparently the problem, as is so often the case, was me.
Fast forward a year and a half or so. Now trailers are coming out for "Finding Nemo." Featured prominently in these trailers is a sea turtle that sounds a lot like somebody doing a fairly bad Keanu Reeves imitation. It's Crush! CRUSH IS BACK!!! I'm listening to Crush in the trailer. I'm listening and listening, and what I'm wondering is, "Is that MY bad Keanu Reeves imitation or somebody else's?" And I honestly can't tell. To my ears, it sounds just like me. It sounds Just. Like. Me. Is it me?
No. It is not.
This is what I think happened: in an effort to save my feelings, they told me Crush was cut from the film. Crush was never cut from the film. What happened was that the director apparently had the same thought I was desperately trying to will him not to have when I was recording the part, namely that he sounded pretty good as Crush. Yes, the nice director from that tiny video screen decided that he was better at Crush than me and so cast himself in the part. The part that I was told no longer existed. The part which became one of the most popular characters in the film, and which DWARFS the two main characters on the video box.
As the opening date approached, "Finding Nemo" commercials were everywhere. Crush was everywhere.T Was it painful? Very. When the movie finally came out, my kids, of course, wanted to see it, and could not understand why daddy started yelling every time they asked. I think it took me three years to finally sit down with my children and watch the stupid movie, and endure my son saying things like, "Surf's up, dude!" in the voice of Crush.
To make matters worse, it's a great movie.
I still have that lithograph tightly rolled in the original tube in which it was presented to me. It's buried in the back of my son's closet behind boxes of outgrown shoes and forgotten toys. He doesn't even know it's there.
Once in a while, when I feel the need for a little extra self-flagellation, I take it out and look at it and think about how I was almost part of something that people know and love, something that doesn't even involve dildos or necrophilia. Of course, you may think to yourself, "Serves you right for trying to buy your children's love through shallow career accomplishments." You would be right to think that, but when you consider how little else I have to offer them, shallow career accomplishments are about the best I'm going to do.
I keep waiting for the Pixar people to call again. I keep waiting for a lot of things.
http://michaelianblack.typepad.com/blog/musings/
Several months after my son was born in 2001 or 2002, I got a very exciting telephone call. Would I be interested in being in the new Pixar movie? Since I was not yet fully immersed in the world of children's entertainment, I was not really aware of Pixar products. All I knew was that every time a new Pixar movie came out, it was a big deal and made hundreds of millions of dollars, which to an actor translates to large royalty checks. I did not know how much money one could stand to make in residuals from something like that but a friend of a friend was in some successful animated movie or another, and I can remember that he routinely received checks for tens of thousands of dollars. So that sounded pretty good. Also, animated movies take a long time to put together. I figured that by the time this was done, my son would just be old enough so that I could take him to the movies, point to whatever animated creature I was portraying and say "That's Daddy!" in a voice just loud enough so that several other surrounding fathers could hear. As a new father, I was constantly trying to figure out ways to make my son love me since just being his father was obviously not enough. Even at six months, he was already contemptuous of me.
So I quickly accept the job and reported to work at a small recording studio in midtown Manhattan. When I got there, I was greeted by some lovely people from the Pixar corporation who walked me through the storyboards of this particular movie, entitled "Finding Nemo." My character was a sea turtle called Crush, and the director Andrew told me they were looking for a "Keanu Reeves from'Point Break' type voice," and that they immediately thought of me for the part. My first thought at the time was, "Why?" Meaning: if you are looking for a Keanu Reeves type voice, am I really the guy that comes to mind? I was confused and seriously considered the possibility that they had mistaken me for somebody else. Perhaps another State member? Maybe one of the Kids in the Hall? Because when I think of myself, I certainly don't think Keanu Reeves in "Point Break." I don't even think Keanu Reeves in "Feeling Minnesota." Honestly, I never put me and Keanu Reeves in the same mental image at all except when telling this story. So I was confused but game. After all, I was doing this for my son. And for money.
They put me in a little booth and we went line by line through my part of the script. The director was in Los Angeles, and I could see him on a little video screen they had set up. He had me do each line several different ways, and often acted the lines out himself so that I could get a clearer sense of what he wanted. For example, there was a part where Crush goes, "You were like, 'Whoa,' then I was like, 'Whoa,' and then it was like, 'Whoa.'" He had a very specific way he wanted each "Whoa," and I was having kind of a hard time doing it, so he demonstrated exactly what he wanted. When he did it, I remember thinking, "That's pretty good. You should do this part," but I didn't say that because I didn't want him to have the same thought.
He was a very nice man, and I would say it took about two hours for me to record Crush. Afterwards my throat hurt and I was sweating. As I left, they handed me a "Finding Nemo" giftbag, which included a stuffed Nemo and a limited edition lithograph of a character study of Nemo. Very nice of them, and I thought to myself, "Hey, if this movie is a hit, this will be a great collector's item. I can get it framed and give it to my son and he will have a treasured memento from the movie in which his heroic father starred."
As I walked back to my car, I remember that I felt good about the session, good about the fact that I was going to be in a Pixar movie, fantasizing that maybe this would open a whole new avenue in my career, that maybe I could get more voice work, maybe end up like Hank Azaria on "The Simpsons." Then I got to my car and saw there was a parking ticket on my windshield, which maybe I should have taken as an omen. But I didn't. Because I am stupid.
A couple months later, I heard from the Pixar people again. Bad news. Unfortunately, the character of Crush is no longer going to be in the movie. Crush isn't working and they are going to cut Crush. No more Crush. I was, to use the obvious turn of phrase, "crushed." But what can you do? Characters get cut from movies all the time. It's not anybody's fault. It just is what it is. I didn't know what happened. All I knew was that I was no longer going to be in a Pixar movie, no longer going to receive tens of thousands of dollars in the mail, and worst of all, no longer going to be anything more to my son than a continuing source of irritation and resentment.
Now, perhaps you've seen "Finding Nemo." If you have, and BILLIONS of people have, considering it is the number one grossing animated movie of all time, you probably remember a rather lengthy sequence featuring a Keanu Reeves-sounding surfer sea turtle called Crush. Apparently, the problem wasn't Crush. Apparently the problem, as is so often the case, was me.
Fast forward a year and a half or so. Now trailers are coming out for "Finding Nemo." Featured prominently in these trailers is a sea turtle that sounds a lot like somebody doing a fairly bad Keanu Reeves imitation. It's Crush! CRUSH IS BACK!!! I'm listening to Crush in the trailer. I'm listening and listening, and what I'm wondering is, "Is that MY bad Keanu Reeves imitation or somebody else's?" And I honestly can't tell. To my ears, it sounds just like me. It sounds Just. Like. Me. Is it me?
No. It is not.
This is what I think happened: in an effort to save my feelings, they told me Crush was cut from the film. Crush was never cut from the film. What happened was that the director apparently had the same thought I was desperately trying to will him not to have when I was recording the part, namely that he sounded pretty good as Crush. Yes, the nice director from that tiny video screen decided that he was better at Crush than me and so cast himself in the part. The part that I was told no longer existed. The part which became one of the most popular characters in the film, and which DWARFS the two main characters on the video box.
As the opening date approached, "Finding Nemo" commercials were everywhere. Crush was everywhere.T Was it painful? Very. When the movie finally came out, my kids, of course, wanted to see it, and could not understand why daddy started yelling every time they asked. I think it took me three years to finally sit down with my children and watch the stupid movie, and endure my son saying things like, "Surf's up, dude!" in the voice of Crush.
To make matters worse, it's a great movie.
I still have that lithograph tightly rolled in the original tube in which it was presented to me. It's buried in the back of my son's closet behind boxes of outgrown shoes and forgotten toys. He doesn't even know it's there.
Once in a while, when I feel the need for a little extra self-flagellation, I take it out and look at it and think about how I was almost part of something that people know and love, something that doesn't even involve dildos or necrophilia. Of course, you may think to yourself, "Serves you right for trying to buy your children's love through shallow career accomplishments." You would be right to think that, but when you consider how little else I have to offer them, shallow career accomplishments are about the best I'm going to do.
I keep waiting for the Pixar people to call again. I keep waiting for a lot of things.
http://michaelianblack.typepad.com/blog/musings/
Tuesday, April 8, 2008
Monday, April 7, 2008
Spaceship House
www.spaceshiphouse.com
i have three weeks of vacation saved up and im ready/willing to blow two on this space house. who's with me?
here are some more space homes you want to live in:
Sunday, April 6, 2008
Thursday, April 3, 2008
Wednesday, April 2, 2008
Have You Been “Rick-Rolled”?
In one of the more bizarre Internet phenomena to sweep the music world, 80s crooner Rick Astley has shot back into the headlines after years in obscurity thanks to millions of Web surfers being “rick-rolled”. For weeks now unsuspecting Internet users have clicked on enticing-looking links related to celebrities and instead been directed to a video of Astley performing his huge hit “Never Gonna Give You Up”.
It appears Youtube decided to get in on the joke, featuring a similar link on its main page on Tuesday, which just happened to be April Fools’ Day. (The image on this blog is a rather arbitrary snap of Youtube co-founders Chad Hurley and Steve Chen. Sorry, but our pictures archive did not feature Mr. Astley, although that may be about to change).
As many as 15 million people, among them me, have seen the flame-haired Briton strut his stuff as a result of the gag. Bloggers have written about being both irritated and impressed by the trick, but either way it has begun to spill over into the real world.
Astley’s record label has brought forward the re-release of his greatest hits by around two weeks to April 28 to try to cash in on the craze. Astley himself is not available to speak about it, although he did tell the LA Times recently how he found it ironic that a pop song which he himself describes as “pretty naff” has become a kind of cultural beacon, rather than a hit with an obvious political or social message.
If I am anything to go by, “rick-rolling” victims old enough to have been around in 1987, when the song was Britain’s biggest selling single, will be struggling to get the kitsch-yet-catchy tune out of their heads.
Full Story - http://blogs.reuters.com/fanfare/2008/04/02/have-you-been-rick-rolled/
It appears Youtube decided to get in on the joke, featuring a similar link on its main page on Tuesday, which just happened to be April Fools’ Day. (The image on this blog is a rather arbitrary snap of Youtube co-founders Chad Hurley and Steve Chen. Sorry, but our pictures archive did not feature Mr. Astley, although that may be about to change).
As many as 15 million people, among them me, have seen the flame-haired Briton strut his stuff as a result of the gag. Bloggers have written about being both irritated and impressed by the trick, but either way it has begun to spill over into the real world.
Astley’s record label has brought forward the re-release of his greatest hits by around two weeks to April 28 to try to cash in on the craze. Astley himself is not available to speak about it, although he did tell the LA Times recently how he found it ironic that a pop song which he himself describes as “pretty naff” has become a kind of cultural beacon, rather than a hit with an obvious political or social message.
If I am anything to go by, “rick-rolling” victims old enough to have been around in 1987, when the song was Britain’s biggest selling single, will be struggling to get the kitsch-yet-catchy tune out of their heads.
Full Story - http://blogs.reuters.com/fanfare/2008/04/02/have-you-been-rick-rolled/
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